This interview with Seth Mullins is second in the row and hence is more focused and covering in-depth about the philosophy behind his writing and the thought process that goes into writing a book and characterization of the story. This first interview can be read here, and review to his book What Casts The Shadow can be visited here.
Welcome Seth! It is an honor to have you again for more introspective talk.
Why title as Trust In
The Unseen? What other titles came into your mind while thinking about it?
Each title in The Edge of the Known series is also
reflective of the title of the record that
this fictitious band is working on/releasing during the course of that
particular volume. In this instance you have a band that has faced all kinds of
hardships as they’ve pursued their musical dream. At the same time, though,
they realize that there have been many
serendipitous moments, miraculous ‘coincidences’ that served to open doors for
them so that this dream draws closer and closer to fruition. That’s what
they’re discussing during the particular rehearsal that inspires their album
title. They bounce around ideas such as “The Essence” and “The Undying Light”
before finally settling upon “Trust in the Unseen”.
I personally believe that our culture has arrived at place
where our reasoning minds alone can’t hope to grapple with all the movements
and changes that are occurring. We’re challenged to embrace a wider conception
of ourselves and learn to trust the other (oftentimes wiser and more
far-seeing) voices within us in order to find our way.
Who is the lead
character in your book Trust In The
Unseen and how is it different from the your earlier book What Casts The
Shadow?
The entire Edge of the Known trilogy is narrated by Brandon
Chane. The reason why he chooses to
relate the tale of his (and his band’s) journey is finally revealed in the
third volume. In my mind, the three books – “What Casts the Shadow?” “Trust in
the Unseen” and “Humanity’s Way Forward” – are all one story. But there were
natural breaks that provided ideal points at which to begin and end the
installments – each of which, incidentally, also represent growth rungs for
Brandon and the other major characters.
Any resemblance
between the author Seth Mullins and Brandon Chane of What Casts The Shadow?
There were a couple aspects of my own personal experience
that lent themselves to Brandon’s character. The first was my tenure as a
songwriter and performing musician – particularly, the way that I learned to
translate my inner experience into words and music. The other was my long
acquaintance with the kind of frustration that often accompanies the creative
life and one’s efforts to (1) Realize a vision, and (2) Attain recognition – reach people with that vision.
That’s a broad kind of experience that could be applied to
any art form. I could have written about a struggling painter or actor. But in
this case, I also wanted to explore music as a social phenomenon, as something
that can expose the forces at work within culture and serve as a catalyst for
upheaval and change. I decided to do this through a character whose personality
is very different from mine but who I could still strongly relate to because of my own tribulations as an artist.
When was the idea of
writing What Casts The Shadow conceived in your mind and what was drove you to
this story?
It began as I was just thinking about various artistic
luminaries throughout our history, and how often they either destroyed
themselves or else burned out in such a way that they were never able to
recapture their earlier heights of inspiration. I questioned whether this was necessary. Could I find a way to craft a
believable story about a temperamental artistic genius who eventually learns to
live with his vision rather than let
himself be destroyed by it?
Is Saul Mason of What
Casts The Shadow another side of Seth Mullins?
I guess the simplest answer I can give is that I try to
reach readers in a way that’s similar to how Saul tries to reach his clients.
Saul could be seen, perhaps, as my Self unfolding along
different lines in an alternate reality. If, instead of channeling my
particular insights into story form – as I choose to do now – I decided instead
to be a therapist and apply those same insights in that arena then I would work like Saul does. I would try to help
people to understand that their reality is their own creation – that, because
they’ve made their experience what it is in the first place, they therefore
have the power to change it if they want to. It’s strange to me that therapists
and spiritual gurus don’t typically do this. But I suppose you wouldn’t have many
‘followers’ if you encouraged everyone to trust their own inner guidance,
right?
If you had to rewrite
What Casts The Shadow, would it be the same, or different?
There were times when I thought about re-writing certain
passages that seemed a bit dense or unclear. But then I realized that these
segments actually reveal much about Brandon’s state of mind, and that to make
everything more straightforward would have done his character a disservice.
Some people dislike his ambivalence, his conflicted nature. But this is just
where he is at the onset. So, if I had to rewrite the book I would hopefully
resist the temptation to “clean it up.” I think the rough edges are necessary;
that they actually add to the resonance of the story as a whole.
How do you switch-over from different modes of Seth Mullins as a songwriter, performing musician and a writer?
The common thread throughout my whole creative life has always
been writing. Even as a musician this was my focus. I never could have found
satisfaction getting up onstage night after night and just playing lead guitar.
For many people, that is their
artistry. But I was personally much more aware that I had something to say; and from there, the question was
always “What medium will provide me with the best means of saying it?” And I
discovered that I need a certain amount of space in which to explore my themes;
that I can realize my vision much more fully through, say, a 200-page novel
rather than a 3-minute song.
Fear leads to taking
risk that further leads to achievement and then success? Do you agree? Is it a
true that there is a strong relationship between failure, fear, risk,
accomplishment and success?
Well, fear can inspire
people to take risks and expand their lives; but it can just as easily make
people shut down, withdraw, isolate and/or blindly react to circumstances
rather than feel empowered in those situations. How we respond to the challenge of fear is the crucial thing. I can’t
describe this in great detail without giving away plot details, but in this
trilogy there are two characters (one of them being Brandon’s mother) who face
a very similar trial involving their core fears. They make vastly different
choices in the face of it, though. One succumbs. The other uses fear as a
springboard into new life and creativity. If we feel fear and then move forward
anyway, not letting it deter us, then our very conception of ourselves can change. From that place, we can see
that the fear was just the result of limiting beliefs that we held – beliefs
that we no longer need, and can shed.
There are always two
sides of a human being – seen and unseen, known and unknown, touched and
untouched. Would you throw some light on this?
We’re embarked upon a never-ending journey of
self-exploration and discovery. This means that there is always more for us to seek. Any journey implies things unknown and
unseen; you don’t step outside the ‘safe arms’ of the status quo unless you
feel that something is lacking, that
you long for something more. The
nature of the human being is in a state of constant becoming. Thus, there must always be aspects of reality that we
have not yet glimpsed, not yet touched.
What is the real
purpose of your life and how do you plan to achieve it?
I think that I’m here to communicate, and
that I’ve found the ideal medium through which to do so. I’m really grateful to have found it.
Is Trust In The
Unseen a sequel of What Casts The Shadow? A synopsis of Trust In The Unseen?
Yes, Trust in the Unseen is a sequel, and the middle act of
a three-part drama. I would say that this is the portion of the overall story
where the characters’ artistic and personal visions are most thoroughly tested.
Even Saul, who often seemed all-knowing in the first book (at least in
Brandon’s eyes) reveals his human frailty and moments of doubt. At the same
time, everyone learns a lot about themselves and their potentials as a result
of these challenges. Brandon, for example, ends up discovering his own voice to
an extent that was only hinted at in the first book.
No comments :
Post a Comment
Thanks for visiting and commenting.